As a fan of Peter Eisenman I have ever followed some of his design thoughts and tried to set some influence in my ain work consequently, for illustration his book Diagrams of exteriority by Peter Eisenman[ 1 ]he talks about SITE, TEXT, MATHEMATICS and SCIENCE.By reading this book he has opened my head and led me to new ways of believing sing the creative activity of architectural undertakings.

Figure 1 Truss wall by Ushida FindlayUshida Findlay has a different attack but has been animating however, and is a function theoretical account for my designs. Truss Wall House ( FIG1 ) in Japan in 1993 is one of her best designs with a different linguistic communication in architecture that has pushed me to make interior infinites with a new position as an designer besides her attack to exterior creative activity of architecture is alone by itself ( FIG2 ) . C: UsershpDesktophistoryfind02g.jpg

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Figure 2 Truss wall by Ushida FindlayThe Belgian designer Philippe Samyn with a maestro in Civil Engineering is another inspiration for my manner of believing about art. Of peculiar significance to me has been his design of a research Centre named M & A ; G RICERCHE in North America. It features a originative facade ( FIG3 ) , unfastened program and beautiful inside This type of work was another motivation to make discontinuity, self-similarity and recursively in my following efforts to make a new thought while I was seeking to pull off my undertaking of a rug gallery in Iran about 4 old ages ago in an exhibition. ( FIG4 ) samyn.jpgwhite.jpgTRUSS-WALL exterior ushida findlay.jpg

Figure 3 M & A ; G RICERCHE by SamynBy reexamining some of my designs and comparing them to the other designers I have found myself really interested in the motion of complexitism. This motion belongs to the late seventies and it had a relation between scientific discipline, mathematics and architecture and features a major displacement in order and upset in architectural undertakings. With so much unfavorable judgment of its clip it has moved frontward and falls in subsequently years.white.jpg

Figure 4 Rug Gallery by A.H.Ra1.tif


Upon close observations scientists have realized that the universe is non wholly ordered and predictable. In some topographic points with less outlook they were confronting helter-skelter and Unpredictability, and so on this was a new doctrine to confront a new displacement in Architecture. This displacement relied on fractal geometry, both helter-skelter and complexness scientific discipline, and supported their manner of analysing nature[ 2 ].


Figure5 The Guggenheim Museum Bilbao by Frank GehryThe pandemonium theory in complexness has similarities to the deconstructivist Architecture motion as it is the following motion, such as the ocular visual aspect of finish edifice to be unpredictable, nevertheless intentionally controlled to be pandemonium[ 3 ]. A important illustration of this is the Guggenheim Museum Bilbao by Frank Gehry. ( FIG5 ) . The difference in complexitism is that the designers try to foretell issues of doctrine and finding, nevertheless, in the terminal, it can turn out as something else. 450px-Guggenheim-bilbao-jan05.jpg

Complexitism besides has some similarities to Electicism when it comes to scale. In Post Modern Electicism one of the noticeable facets is the hyperbole of design for human graduated table such as immense bannisters and no restriction for highs[ 4 ]. As we see in complexitism the graduated table can be so much bigger than human graduated table or so much smaller that the constructions can be unliveable. However there are besides many differences, such as in the usage of stuffs ; the use of steel and Fe is far more common than in complexitism. Electicism frequently features bad gags, whereas complexitism is has more serious tones, with a heavier bases of scientific discipline and mathematics.


The signifier of edifices and their frontages is the first thing that architects usage to separate them from each other and sort them in certain motions. One of the factors in the complexitism motion is fractal geometry. Fractal geometry can be defined as holding broken dimensions so that each one looks like an exact transcript of the 2nd ( like the Mandelbrot group in Mathematicss[ 5 ]. This factor creates a relation between mathematicians and designers, therefore each of them has their ain manner of interpreting this word. “ Architects have by and large valued it more for its connexion to Chaos theory and Complexity Science. ”[ 6 ][ NEXUS NETWORK JOURNAL – VOL. 3, NO. 1, 2001, reappraisal editor Michael J. Ostwald ] . For a better apprehension of the affects that fractal geometry had on architecture I can mention Peter Eisenman ‘s house11a that he introduced for exhibition in 1987.FIG7 Eisenman explained philosophically that “ three destabilising constructs: discontinuity, which confronts the metaphysics of presence ; recursivity, which confronts beginning ; and self-similarity, which confronts representation and the aesthetic object ” [ Eisenman 1988:70 ] .

I have ever followed some of Peter Eisenman design thoughts and tried to set some influence in my ain work consequently. For illustration his work for Arizona cardinals bowl on 2003 -6 in Glendale, United States of America FIG8was an influential manner of believing about art to my design for Formula 1 convection about 2 old ages ago FIG9.

One of the similarities that I have found in some of my designs in old old ages with complexitism was that I had some attacks to fractal geometries as in my program drawings and subdivisions as good I could see the repeats of the signifier with different graduated tables FIG10. Following this type of geometry has led me to chaos architecture, as when I finished my designs I could see facets of upset in my full signifier, although I realized there were besides facets of order noticeable in maps but my signifiers were non the same as maps FIG11.


Study in doctrine, mathematics and natural philosophies to foretell the behaviour on initial sensitive conditions is known as the Butterfly consequence FIG12. Sometimes it is impossible to foretell the conditions in long term although these Fieldss behaviors are meant to be to the full predictable. T his behaviour is known as pandemonium.

As a consequence of following the Fractal geometry and mathematic dealingss they have formed the pandemonium and upset visual aspect that is called pandemonium in architecture. That is argued on showing the undermentioned alterations in graduated tables of signifier without seting the lead out of human graduated tables in order as mention to make infinites, alternatively, the new mentions were civilization, doctrine and modern engineering ; these factors followed the capriciousness in architecture.

Chaos is defined otherwise by different designers. Charles Jencks ‘s position on this is that he can see construction and order at the terminal of pandemonium[ I ], whilst Persian designers Gisue Hariri and Mojgan Hariri see Chaos theory as a tendency[ two ]. As a consequence of the being of these different positions, I have attempted to maintain an unfastened head sing this motion and develop my ain apprehension.

The Chaotic attack and fractal geometries are two factors that situated my designs and undertakings in the complexness motion. In add-on, because I have deigned without the cognition of this motion I have found some similarities to other motions such as deconstructivism, chiefly due to the pandemonium that I intentionally put in some of my signifiers, use of stuffs that are similar to post modern such as strengthened concrete because of the flexibleness it allows, in that nonlinear and curved signifiers can be achieved.


THE BRIEF The first measure to interpret client Jockey shortss is to happen out their civilization, tradition and doctrine, and their demand to get down the procedure on the numerics and facts of architecture behaviour.

CONTEXT As a get downing point of new ideas I believe that I have understood all of the surrounding fortunes and the facts that have produced the state of affairs and that motivates the response as either positive or negative.

CONCEPTS To make a new design for clients the following measure after understanding the context is to come up with a new thought or concept that suits the demands of the client and the context, to cover all the facets of traditional, cultural and Architectural attacks to supply inspiration.

SITE The country that is playing the function of topographic point and environment is alone and every clip an Architect is seeking to make a new design he or she is faced with new conditions and the challenge of building a new thought that responds to their state of affairs. This thought can be helter-skelter, complementary or defensive ; it depends on site and designer, nevertheless, the site high spots architects that can supply a different solution.

Plan After deriving an apprehension of the surrounding, it is clip to make a infinite in response to old stairss. It should be considered as the map to make a communicating between big and little environment, and is necessary to react to functional demands such as residential, commercial and industrial.

SECTIONS To supply fractal geometry with the apprehension of human graduated table the best attack is to utilize the constructs of discontinuity and ego similarity in order to supply a responsible and positive infinite with a relation to the human organic structure and head.

ELEVATION Language of dimensions and math in this factor are the cardinal factors to maintain the connexion between the interior life and exterior surrounding and besides do them go of each other in this manner I am seeking to maintain the order and pandemonium in architectural attack.

Materials In the instance of high creativeness and no restrictions, engineering is critical ; while utilizing the strengthened concrete and steels had their clip it is clip for utilizing thin and flexible surfaces with new stuffs such as light Cs, Ti and prefabricated elements utilizing extremely accurate computing machine package ‘s.

SUN CONTROLL For better usage of Sun it should be controlled by the significance of supplying visible radiation for better sight, affection and less use of natural Sources. Better apprehension of visible radiation in edifice ever has ever been a concern and this motion is non an exclusion. Consideration is made for a more sustained, effectual and practical usage of natural visible radiation.

OTHER Sustainability has become a major concern in modern architectural design, and can be achieved with green roofs, rain H2O use, the usage of recycled stuffs, and consideration of heat islands.


Complexitism has seen a rise and autumn within architectural history, but has however left its grade and played an of import function in linking math, scientific discipline, natural philosophies and architecture. It has reevaluated past actions to make, bring forth and contrive new thoughts and has, in bend, revealed that all of these subcategories per se related. This motion has added new characteristic values to its ain coevals and to following coevalss, has shown new ways of detecting the facets of architectural elements, and has created new events that progress beyond the restrictions of architecture.

At the terminal it is noticeable that to unify with a motion and follow its solutions, it is critical to understand the motion ‘s history and development. In add-on, to utilize It right it is necessary to happen out more about the failings every bit good as the high spots of the motion. By seting yourself in the places of designers in certain state of affairss in the past and rethinking the procedures they have gone through, it can be found that an apprehension of any motion is laid in its topographic point, clip and environing environment. Every motion is a solution to make a better connexion between people, nature and their demands of lasting without disrupting one another, and, at terminal, to supply Architecture for life.

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