The purpose of this work is an effort to analyze the phenomenon of values in the music and influence of music on the individual ‘s individuality, description of position and analysis of some research on this topic. Specifying the function and topographic point of music in modern-day society in the context of its socio-economic transformation.

There will besides be considered certain cultural phenomena that are characteristic of the modern music world.A In peculiar, this phenomenon is the amalgamation of certain genres of music with each other, such as an belowground cultural phenomenon from the point of view of the societal dimension of culture.

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There will besides be made an effort to work out some jobs related to happening the mechanisms of perceptual experience of musical genres and place factors that affect it.A This will be implemented synchronal and historical analysis of informations obtained from surveies conducted on a larger clip interval, and affecting a sum of more than 220 people.

A Unfortunately, we could non cover in these surveies all genres of music, in peculiar, has non been studied perceptual experience of such musical genre as jazz.A This can be explained by the complexness of wind to distinguish as a separate genre, as it is considered to be the foundation of many modern genres of music and about each of these genres today, elements of jazz.

It should besides be mentioned that for a more complete survey of alterations in the perceptual experience of assorted musical genres over clip, multiple measurings need to be carried out in intervals of several years.

However, it is hoped that this work will be continued and go one of the links in the concatenation of a big study.A And yet, this work gives some thought of the job of happening the mechanisms of perceptual experience of the value of music and its content.

Background

In modern society music takes a particular topographic point, though it plays an of import and positive function in life of every person.A But even the antediluvian philosophers described the positive curative consequence of music on people.A Plato argued that it was sent to us by heaven ally in our petition to convey order and harmoniousness of mind. A Followings of Pythagoras developed a technique of musical psychotherapeutics, which included a day-to-day plan of vocals and musical pieces for the lira, which gave people bravery in the forenoons, and so loosen uping during the twenty-four hours, A fixing people to peaceable slumber with pleasant and prophetic dreams. ( Kivy 2002 )

A Music had a representation of ancient quinine water and renewing consequence, because it was able to reunite the anomic person in harmoniousness with the Cosmos.A Later, the job of connexion of music and the existence was worked by Newton, who saw in it the closest parallel of the ordered universe ( Kivy 2002 )

Therefore it is possible to find the historical philosophy of the perceptual experience of music as a learning about the relationship with the existence, but non it ‘s connexion with individual ‘s societal life.A This is chiefly due to the fact that while the music still did n’t take such a topographic point in society as now, there was n’t such a assortment of genres as we are seeing today.A Nowadays any music critic can call at least half a twelve of different manners, tendencies and genres that exist today.

Therefore, there is a inquiry of happening forms in perception.A However, it should be noted that the mere perceptual experience of music has several facets: socio-psychological facet and the facet associating to the impact on perception.A Consequently, all surveies on this subject see these two facets, happening in each their ain mechanisms and Torahs.

Any work of art can non be seen from the position of “ pure ” art, because when this merchandise comes into the visible radiation, it becomes an built-in portion of the universe around it and should be considered merely in the context of this universe, the world of the times in which it is located.A To make this you must specify the topographic point that music occupies in modern-day society, and analyze the perceptual experience of music in the context of its place in the outside universe. Music has become an built-in portion of mundane human life, and now there is likely non a batch of people who during the twenty-four hours would non experience it ‘s effect.A As mentioned above, music presents has so many different genres and manners, each of which has a immense ground forces of fans who give their understanding to it, frequently wholly rejecting all others.A So how can we explicate the popularity of a certain genre? A What forms of differences can be found in perceptual experience of, for illustration, stone music and dad? A

Unlike the bulk of modern publications on the topic that chiefly appraising positive or negative effects of music on the audience, the intent of this work is to pull attending to the factors of perceptual experience associated with the personality and personal significance which the hearer finds in aA musical work.

How can we follow the transportation of music perceptual experience in the perceptual experience of the universe? A In the perceptual experience of hearers all depends on the job of alone individualism, because we have to cover with persons, and therefore the same genre of music can be perceived by different people rather differently.A However, despite the fact that such a multiplicity of perceptual experiences, non removable, nevertheless it is non infinite and if the entirety of associations generated by a individual genre, estimates that it receives, it is possible to follow the position of some general trends.A ( Adorno 2002 )

The purpose in this instance is an effort to follow the nexus between attitudes preferred genre and attitude to life, and non happening the installing mechanisms through which the hearer and performer.A How music can impact the formation of the a priori grid of values of dimension, which will act upon the acceptance of pick?

Methodology

Aim: Identify the relationship of values to the assorted musical genres and the factors impacting this relationship.A

Aims: A

1 ) Compare characteristics of the value content of assorted genres of music to different audiences.A

2 ) To follow the alterations of the value content of assorted musical genres in different classrooms.A

Hypothesis 1 – Music in the heads of the audience has a peculiar ‘s value scope, which overlaps and varies depending on the musical genre.A

Hypothesis 2 – value scope will change depending on the audience.A

The survey was conducted in assorted constituencies ( by genres of music ) , impacting both work forces and adult females ( 50/50 ) , the mean age of all respondents is 27 old ages.

We used a technique known as “ The method of the value spectrum ” .A This technique was modeled on repertory grids and presents a list of 18 values with which people attribute to them a figure of defined objects, follow these instructions: “ Before you list of values.A In the column on which is written LIFE topographic point a cheque next to the values that you think are built-in in life, in the column on which written music topographic point a cheque next to the values that are built-in in music, etc.

This technique is absolutely suited for surveies of perceptual experience of different musical genres, and by pulling on old work, we can seek to keep a survey to analyze how and end of this work is the designation of values related to a assortment of musical genres and factors impacting itA attitude. To accomplish this end it is necessary to work out some jobs, such as: a comparing of characteristics of the value content of assorted music genres in assorted schoolrooms ; follow the alteration of the value content of certain genres have different audiences in a clip warp.A

A Were interviewed audience about following genres: dad, art vocal, stone music and classical music.A Subjects werre proposed a method of the value of the spectrum, where the objects were evaluated: a dad vocal, art vocal, stone music, classical music, life and music ( as a phenomenon in general ) .A

Based on the study consequences were compiled drumhead matrix for each respondent group. ( Appendix 1 ) .

Without a elaborate qualitative analysis of these matrices can be noted similarities in the perceptual experience by audience of art vocal and stone music of the object “ dad vocal ” .A None of the interviewees acknowledged the presence of truth, flawlessness, completeness, units found a significance in it, the demand for uniqueness, autonomy, beauty.A But the bulk noted the presence in dad music simpleness and ease.A This similarity in estimations said about a certain analogue to the perceptual experience of this genre.A

The consequences of these matrices were subjected to quantitative analysis.A As a consequence, we obtained the undermentioned stuffs. ( Appendix 2 )

Consequences of the research

The informations can be interpreted as follows: A

– In the audience of art vocal the construct of “ art vocal ” and “ stone music ” correlative with the construct of “ life ” , every bit good as among themselves, which can be interpreted as the perceptual experience of these two constructs are non as entertaining events, every bit good as straight related to existent lifeA on its value features, and a similar attitude to both genres.A This can be explained by some disintegration at the present clip the writer ‘s vocals in stone music – stone instrumentalists, many perceived themselves are the writers of their vocals, and do non sing vocals by other composers, both vocal and istrumental sets in the 70-80th old ages.

A It should be noted negative correlativity of stone music with the construct of “ classical music ” .A This can be explained by manner of stone music as a non-academic genre that emerged in the present.A

In dad music audience ‘s construct of “ dad vocal ” correlatives with the construct of “ music ” , that is the best phase shows the ratio of pupils to comprehend music as such.A For fans of this genre of music is first and first amusement, and is peculiarly associated with light dad vocals, had nil to make with this impression of a life.A It is besides interesting to observe the correlativity of art vocal with the word “ assortment ” , which can be interpreted as the perceptual experience of art vocal as a certain component of modern dad music.A This can be explained as a manner of art vocal on the large phase, associated with the commercialisation of the genre.A

The audience ‘s construct of “ stone music ” is correlated with such constructs as “ life ” , which once more confirms the particular attitude to the really stone as a genre has the same value features as the existent, life around.A

Correlation of the construct of “ music ” and “ life ” suggests a peculiar perceptual experience of music as a sort associated with life events, in a reasonably to the full displays the value of bing life.A Relation to music with the audience really earnestly, it is non a consumer-based leisure moments.A Correlation of the same stone with the writer ‘s vocal one time once more confirms the averment meeting of genres, which happened on our stage.A

In classical music the term “ stone music ” besides correlates with the construct of “ art vocal ” , but it is deserving observing a negative correlativity of stone with the construct of “ music ” .A This suggests that hearers of classical music do non comprehend the stone as a musical genre, but instead give it a few other nonmusical sense, possibly related to modern stone music locale at the scene, its form and sound.

The immutableness of the same appraisal of the term “ classical music ” in all audiences ( beauty, flawlessness, the deficiency of easiness and simpleness ) can be attributed to academic quality of this genre, it ‘s little alteration in the past clip period, which is chiefly due to non-profit nature of most mass of classical music.

Decision

In the work was made an effort to understand the barely studied the job of happening mechanisms for perceptual experience of musical genres.A The consequences indicate that a strictly psychological attack to analyzing this job is clearly non adequate – you want a more thorough analysis that takes into history cultural surveies, aesthetic and socio-economic facets of this problem.A Nevertheless, analysis of the consequences lead to the undermentioned decisions: A

Musical genres have different value spectra, which determine their perceptual experiences of audiences, both phenomena associated non merely with art but with existent life.A For illustration, the audience of stone music and art vocal genres tend to believe of these as straight reflecting the surrounding world, and the audience dad vocal refers to it as a strictly entertainment.A

Each audience has its ain scope ‘s value for every musical genre, the life and music in general. Depending on the audience the value features of genres changed, but besides the constructs of “ life ” and “ music ” .A However, it should be noted virtually the same appraisal of the audiences of art vocal and the stone music in the genre of dad music.A Given besides the similar ratio of these audiences to life, we can reason a partial merger of these genres on the modern stage.A

Invariability relationship to the genre of classical music is connected with academic and reasonably stable state of affairs classics in a altering music world.A

We can state that the premise of dependance of the stableness of the value content of a musical genre on the stableness of the genre was confirmed.

Bibliography note

1. Bicknell, Jeanette, 2009, Why music moves us, Palgrave Macmillan

This book is a research in psychological science, doctrine and anthropology about the influence of music. The writer shows that different music can originate different feelings: unhappiness and cryings in the old ages, smiling and satisfaction, great euphory. The music has the power to travel people, to act upon them. With the aid of music people can show feelings and ideas, show it to other people, despite the age or nationality. It is because music is a linguistic communication that all people speak and understand. The writer explains what hearer can experience emotionally, physically and cognitively when listening to the music. And the decision of the writer is that music is a societal experience, that has a great power of influence on people.

2. Perret, Danielle, 2005, Roots of Musicality: Music Therapy and Personal Development, Kingsley Publishers

D. Perret writes and the close connexion between music and human spirit. He tells readers about the music therapy, which is based on the power of music, that can excite and harmonize, and besides can equilibrate human spirit. Music can be considered as an look of a individual, so the writer surveies a certain connexion between neuroscience and psychological science and musical look. He showed a curative consequence of music during the work with kids with autism upsets. Besides the writer considers the close connexion between life and music, as music is a mean of the look and development of individual ‘s spirit.

3. A Wigram, A Tony ; Pedersen, A Inge Nygaard ; BondeA , Lars ; 2002, A Comprehensive Guide to Music Therapy: Theory, Clinical Practice, Research and Training, Kingsley Publishers

This book is an overview of the field of music therapy, that can be utile for both professional physicians and general populace. This book has a broad scope of methods of research about the clinical results of certain influence of music. It shows all theory, facts and thoughts necessary to entree and understand the field of music therapy. It besides provides a elaborate penetration in the universe of music therapy from an international position, to do the subject more many-sided.

Crafts, Susan D, A Cavicchi, A D, A Keil, C, 1993, My music: Explorations of music in day-to-day life, Wesleyan

The book “ My music: Explorations of music in day-to-day life ” explores the topographic point and functions that music can play in lives of people. This book is a portion of a undertaking “ Music in Daily Life Project ” , due to which a 150 people were asked to talk about the music in their life, about all the feelings, ideas and emotions that it brings. The writers have collected a big figure of interviews to demo how people enjoy, experience, and usage music. The book does non supply simple theoretical theoretical accounts, but the existent illustrations and people ‘s ideas on the diverse function about the topographic point of music in day-to-day life.

DeNora, Tia, 2000, Music in mundane life, Cambridge University Press,

The book is a sociological survey, based on constructs and research of the music construct. It offers an original and new point on the societal theory about the music as an influence on characters, societal lives of people and their actions. Tia DeNora provides a cultural analysis of ingestion of music, and besides provides a series of ethnographic surveies about the music as a constituent characteristic of worlds. The book provides theoretical constructs of psychological, sociological and sociolinguistic facets of music ‘s active function of societal life of people.

DeNora, Tia, 2003, After Adorno: Rethinking Music Sociology, Cambridge University PressA

The book focuses on the theoretical surveies that were raised by Theodor W. Adorno about the function of music in modern society, that is construct of musicology and sociology. Adorno argued about the music as a mean of influence on consciousness and a measuring of societal influence and control. Tia DeNora continues these surveies in musicology and sociology, demoing their close connexion. So the book is a survey in music sociology, demoing music as portion of societal life and a device of societal influence of people.

Juslin, Patrik N, A Sloboda, John A, 2001, Music and emotion: Theory and research, Oxford University Press, USA

This book is a survey of a nexus between emotions and music, that is considered from assorted positions and points of position. The place of emotional perceptual experience of music can be viewed a considerable one, and emotional facets of music plays great function in musical and psychological surveies. “ Music and emotion: Theory and research ” provides some new points in these surveies, new readings and integrative positions. It has a batch of facets of the survey: sociological and psychological, points in musicology, and besides some biological and anthropological points of surveies. The writers focuses on the emotional perceptual experience and ingestion of music, show that topographic point does emotions play in musicology, and how people are influenced by different emotions while listening to music.

Thompson, William Forde, 2008, Music, Thought, and Feeling: Understanding the Psychology of Music, Oxford University Press, USA

“ Music, Thought, and Feeling: Understanding the Psychology of Music ” is a pedagogical work in musical surveies. It provides a broad research stuffs of the last 30 old ages about the music knowledge, and an analytical stuffs on it. It explores the subjects of psychological science and neuroscience in intersection with music. It covers the most interesting inquiries of human perceptual experience of music, music and emotions. Besides it has a scientific survey about the consequence of music on human encephalon with the aid of neuroimaging techniques. This book has an of import information on psychological science of music, like psychological procedures of composing and executing music, that are considerable from the psychological point of position.

Adorno, Theodor, 2002, Essaies on music, University of Carolina Press

Th. Adorno provides essays on music, the chief facets of music and musical life. The writer ‘s analysis and commentary of scholarship about the music, demoing writer ‘s thought on this subject. The writer covers cultural and aesthetical inquiries of music, and besides some literature facets of music – that is an of import survey in musical sociology.

Kivy, Peter, 2002, Introduction to a doctrine of music, Oxford University Press, USA

“ Introduction to a doctrine of music ” is on a doctrine of music. It covers musical aesthetical positions of all times, get downing from Plato ideas and constructs, and up to modern position points on it. The book every bit good provides Peter Kivy ‘s ain influential positions on the doctrine of music, his analytical analysis of the subject. It provides sophisticated and argumentative philosophical points of music, that makes this book one of the most well-argumentative 1. The writer clearly shows his ain place on the most interesting and of import issues, offers his personal debut to the doctrine of music, demoing truly interesting and absorbing thoughts.

Appendix 1

Writer ‘s vocal

Life

Music

Dad

Writer ‘s vocal

Classical music

Rock music

Good

11

4

1

13

3

8

Integrity of antonyms

6

3

2

7

2

10

Vitality

5

3

2

13

1

7

Adulthood

1

4

2

0

7

0

Game

8

8

10

2

2

4

Truth

2

4

0

11

4

7

Beauty

6

6

2

4

10

3

Elation

4

7

14

0

3

3

Necessity

16

4

1

15

4

10

Complitness

2

4

0

5

3

3

Order

1

2

0

2

5

2

Simplicity

1

2

18

5

1

4

Autonomy

3

5

3

3

5

1

Meaning

5

3

0

12

8

9

Perfection

2

1

0

0

12

0

Justice

3

3

0

10

0

7

Singularity

8

3

0

9

4

4

Integrity

4

7

1

3

8

2

Pop music

Life

Music

Dad

Writer ‘s vocal

Classical music

Rock music

Good

14

10

10

10

10

2

Integrity of antonyms

9

5

2

2

4

7

Vitality

9

11

11

8

2

1

Adulthood

4

8

5

5

4

1

Game

12

9

9

4

5

8

Truth

7

9

5

7

6

5

Beauty

10

11

12

5

12

2

Elation

3

6

15

3

4

4

Necessity

16

8

5

3

5

0

Complitness

8

5

3

5

5

2

Order

4

3

2

3

7

4

Simplicity

4

6

14

7

0

2

Autonomy

4

3

4

3

4

2

Meaning

12

7

9

13

8

9

Perfection

5

8

3

1

9

2

Justice

13

1

2

5

2

0

Singularity

9

5

4

9

8

7

Integrity

8

4

1

2

4

1

Rock music

Life

Music

Dad

Writer ‘s vocal

Classical music

Rock music

Good

13

6

4

11

6

12

Integrity of antonyms

11

3

0

4

1

12

Vitality

7

5

0

12

2

12

Adulthood

0

4

1

3

11

1

Game

14

8

7

5

3

6

Truth

5

5

0

11

5

12

Beauty

7

6

0

2

13

7

Elation

3

2

15

2

3

5

Necessity

14

7

2

8

5

11

Complitness

4

5

0

3

4

7

Order

5

2

3

5

7

4

Simplicity

4

1

15

4

0

5

Autonomy

0

5

1

4

7

5

Meaning

12

6

1

12

4

14

Perfection

4

3

0

4

13

1

Justice

5

3

0

6

1

7

Singularity

9

8

1

11

7

13

Integrity

6

11

2

1

8

4

Classical music

Life

Music

Dad

Writer ‘s vocal

Classical music

Rock music

Good

8

9

6

6

7

3

Integrity of antonyms

8

3

1

1

1

8

Vitality

5

3

4

10

4

5

Adulthood

1

5

1

4

2

2

Game

6

5

9

2

3

4

Truth

5

2

3

8

5

3

Beauty

5

10

1

3

10

2

Elation

1

6

10

1

4

1

Necessity

8

9

2

6

3

4

Complitness

7

9

0

3

3

3

Order

2

3

2

2

4

4

Simplicity

4

5

14

5

2

3

Autonomy

2

4

0

6

6

4

Meaning

10

2

2

9

6

9

Perfection

3

6

0

1

8

1

Justice

4

3

1

9

3

6

Singularity

8

4

2

7

6

3

Integrity

7

5

1

2

5

2

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